It’s the time of the year again: SXSW is looking for suggestions for panels and presentations for the 2011 edition which will as always take place in March in Austin, TX.
This year I have submitted not one but two panels since I will attend the Interactive as well as the Music part – one idea for each part of the conference.
I would appreciate if you could vote for my ideas in the SXSW PanelPicker, this is what I’m suggesting:
I always found it fascinating that other content industries have difficulties learning from the mistakes of the music industry from the last ten years. This panel will invite people from the music and book publishing industries and discuss what they can learn from each other. You can vote here.
I will invite different music entrepreneurs and compare how they’re making it in their respective fields. Starting with a musician I will also get a start-up CEO, a indie record label boss and a band manager on the panel and talk about the joy and struggle of working independently in music. You can vote here.
Voting closes 27th August. Also, make sure you support my fellow OpenMusicMedia organizers, you can find a list of their suggested panels here.
I’m excited to be in New York for our next OpenMusicMedia night on the 7th July. We will be joined by Alex White from Next Big Sound to talk about music related metrics. This is a copy of my post on the OpenMusicMedia blog:
The recording industry has always been more obsessive about metrics than other entertainment areas: music charts have been a vital tool not only to measure success of songs and albums but also to act as a marketing tool for record sales.
Over the last few years we see a lot of new services that focus their business on collecting and aggregating more accurate and detailed music data. The internet has enabled those services to get access to richer data sets than the pre-web sales driven charts such as popularity and discussion around artists.
In the second OpenMusicMedia NYC we want to discuss how those companies can (or maybe cannot) help the music industry to make better decision. Questions we want to address include:
How important is more detailed data for the music industry?
Does an obsession with numbers and statistics stop companies from taking risks and therefore stop innovation?
Collecting data from different websites and displaying those seems straight forward – but what about interpreting them?
We have invited Alex White from Next Big Sound to lead the conversation and guide us through some of the issues of music related data aggregation. As always, this will not be a presentation but an open conversation between everyone in the room with Alex leading what could almost be called a round table discussion.
Moderating for the event will be Jonas Woost, co-founder of OpenMusicMedia as well as the former Head of Music at Last.fm. Jonas joins us from from his new home in Vancouver, where he is setting up a media consultancy business. Our co-moderator is Steve Savoca, global head of digital business for Domino Records and producer of OpenMusicMedia NYC.
We will meet on the 7th July at reRun and the event is free and open to everyone. However we would appreciate if you could RSVP on our facebook page. We look forward to seeing you there!
OpenMusicMedia NYC
Wednesday, July 7
at reRun (part of reBar, 147 Front St, 2nd Fl in DUMBO, 11201, New York, NY)
7-9 PM
Map: http://bit.ly/9VqMoh
I just got into London and it’s great to be back! OpenMusicMedia London is happening tomorrow night, hope to see you there.
I noticed that Karim from Techvibes was kind enough to record my short introduction for the OpenMusicMedia event in Toronto two weeks ago and this is the video. (By the way, the bricks you can see in the background are part of the oldest wall in Toronto.)
Assuming there will be no more ash cloud problems I will be over in Newcastle next week to speak at ‘The Know How‘ event. The panel is called Transmission and focuses on the changes in regional broadcasting and music consumption in general.
The event is organized by Generator and Evolution 2010 and I will be joined on stage by Ben Perreau (Global Radio/Gigulate) and Paul Campell (Amazing Radio) on the 24th May.
When I was on the phone today with our moderator Russ Conway I was reminded again of the gap in our terminology: we keep using the word ‘radio’ when we speak of services such as Last.fm and Pandora. The truth is that they have very little to do with the original ‘one-to-many’ broadcasting service called radio but we don’t seem to have a better term. ‘Personalized Streaming Music Service’ just doen’t sound very neat.
And something became clear today: I’ll probably have to get used to the fact that people will call me a ‘former Last.fm-er’. I noticed that’s the case with many of the guys that left Last.fm and I now often catch myself introducing myself as the former Head of Music. It just makes it easier for other people to understand what I’m all about even though we are more than the name of our old employer.
Following last nights great OpenMusicMedia event in Toronto I’m very much looking forward to our nest session in London on the 26th May. I will be back in town that week and hope to see you there. Below my post for the OpenMusicMedia blog with all the details:
After years of proclaiming the ‘death of the physical format’ we’re still celebrating the traditional independent record shops. While big chains are disappearing or changing their inventory from music to other entertainment products the local record store still seems to have an important role in music discovery and delivery.
In our next OpenMusicMedia session on the 26th May we will be joined by Stephen Godfroy who is the Director of Rough Trade Retail to discuss some of the following issues:
What is the current and future role of independent record shops?
What is the state of the physical record business?
With digital music becoming ubiquitous, what does that mean for physical formats?
What role do record shops provide for a local music scene?
Will record shops continue to act as a ‘filter’ for music recommendation or are they mainly a point of distribution?
We will meet again in the William IV in East London, a short walk from Old Street station. Sticking to the OpenMusicMedia formula this will be an open conversation and we’re looking forward to everyone’s contribution. All OpenMusicMedia events are free but we appreciate you RSVPing on our facebook event. To get in touch please leave a comment below or send us a message on Twitter. Looking forward to seeing you there!
I’ve been in Vancouver just over two weeks and someone warned me that I will have to go over to Toronto before I realize it. It only took me this long.
As a co-founder of OpenMusicMedia I certainly wanted to see what the guys in Toronto are doing with the idea since I knew they had some good events last year. What I didn’t expect is that they would invited me to lead the conversation is the next OpenMusicMedia Toronto event which will take place on the 12th May.
Our conversation will focus on location based music services and we’ll discuss if those are necessary for the industry as well as music fans. The idea started with me thinking that 15 years ago a lot of the music discovery and consumption happened on a local level: we would find new music on local radio station, in the local record shops or through friends we hang out and go to gigs with. With the Internet things became very global and now we can explore music from all over the world and we are not bound to our local areas.
More recently we see the success of services and websites that are focusing on your area (Foursquare being just one example) and in our next OpenMusicMedia session in Toronto we want to discuss what this means for the music industry. Do we need more ‘local music services’? What role will local radio stations have in the future? After the closure of many local record store around the world will we they see their comeback over the next few years?
As always with OpenMusicMedia, I will not answer those questions but only act as a moderator for a big discussion in an informal setting. If you’re around it’d be great to see you there.
I made it to Vancouver. After six months of travelling in South and North America I am now a permanent resident of Canada and am settling in nicely. It’s is not a coincidence that we are arriving in the spring time: we wanted to make sure that we can see Vancouver from its prettiest side in our first few months in town. And pretty it is indeed.
Being ‘home’ also means it’s back to work for me so after a six month hiatus this blog will become active again. Lots of exciting things happening already and my notebook is full of notes, ideas, thoughts and to-dos. I loved my time off and feel very refreshed but I have to admit that I do look forward to getting back into ‘it’ again.
Saying that, my first day ‘in the office’ was actually last month I moderated my panel at SXSW which I thoroughly enjoyed. I came across this little video of our panel on YouTube so if you haven’t been there you will be able to see what we looked like. Unfortunately this is only 45 seconds long so that’s all you’ll be able to see.
My suggestion for SXSW 2011: make sure the first name is on the name signs as well, a few people came up to me after our talk calling me Mr Woost (which made me feel odd).
Holidays. And not just sitting by the beach for a week but really getting away from life’s routine, seeing other places and getting to know new people. That’s what I’m doing right now.
I haven’t had an iPhone/Blackberry for four months and of course haven’t been working. But I also haven’t produced a radio show (in fact have hardly listened to any new music), haven’t been involved with the new OpenMusicMedia events and haven’t even been blogging.
I spent the last four months in South America with Raila and feel truely relaxed – in fact I’m surprised how easy it was to disconnect from my life in London. We are moving to Canada soon so I have been ‘homeless’ since we left and all my belongings boil down to a 15kg Deuter backpack. I have two pairs of trousers and two jumpers.
Nevertheless (or perhaps because of all this) I look forward to getting back into something you can call a ‘normal routine’. And for me this routine will start with something fun:
I’m moderating a panel at SXSW in Austin this year, the topic of our discussion is ‘how will we listen to music in 2020‘. I will be joined on stage on the 17th March by Alexander Ljung (SoundCloud), Ben Perreau (Gigulate) and Steve Savoca (Domino). With such speakers this should be an intersting talk, if there is anything specifically you want to see discussed, feel free to post a comment here.
If you are at SXSW as well please let me know, would be good to meet you there: jonas(at)jonaswoost(dot)com.
PS: if you’re more intersted in my time off rather than SXSW you can find some pictures here and you can follow me on twitter here.
The comfort zone. It’s hard to complain when your in it but you know that something is wrong. You become stagnant and you don’t seem to develop - something that can not only be frustrating but also dangerous.
I don’t actually want to quit my job at Last.fm (I do really like it) but it’s time to set new challenges and see new things. I have been in London for about eight years and been with Last.fm for four of them and now it’s time for something new.
One of the most important things in any job is that you keep learning. It is part of your pay package and if you don’t gain any knowledge you are essentially underpaid. Applying that logic I was paid extremely well for years at Last.fm: I met a lot of great people, learned about the business (and its countless issues) and saw some amazing places. Unfortunately by definition any learning curve has to flatten out so it’s time to find something where I can start at the steep end again.
Raila and I will move to North America early next year after taking some time off and spending a few months in South America. We will live in Vancouver. My last day with Last.fm will be the 2nd October 2009 – please get in touch if there is anything you need before I’m off.
If you have seen me recently on a panel or doing a presentation you would have noticed that there is one topic that I’m very interested in: how the consumption of recorded music has changed over the years and how it will continue to develop.
Looking into the past is vital but also fairly easy. The future is the tricky one and for some the most fascinating: I want to find out how we will consume recorded music in 10 years from now but to find some good answers I might need some help.
This is how I came up with my idea for a panel at SXSW next year in Austin. As you might know, they encourage people to come up with ideas for a panel or presentation and post them on their website for anyone to vote on.
Of course you guessed it by now: please vote for my panel suggestion at the SXSW 2010 Panelpicker. You can see from my description on there what I’m trying to do. Also, please suggest people that should be on that panel by posting a comment here or on the Panelpicker. Maybe I won’t be the only one that’s trying to promote themselves.
This year I have submitted not one but two panels since I will attend the Interactive as well as the Music part – one idea for each part of the conference.
We will meet again in the William IV in East London, a short walk from Old Street station. Sticking to the OpenMusicMedia formula this will be an open conversation and we’re looking forward to everyone’s contribution. All OpenMusicMedia events are free but we appreciate you 
Our conversation will focus on location based music services and we’ll discuss if those are necessary for the industry as well as music fans. The idea started with me thinking that 15 years ago a lot of the music discovery and consumption happened on a local level: we would find new music on local radio station, in the local record shops or through friends we hang out and go to gigs with. With the Internet things became very global and now we can explore music from all over the world and we are not bound to our local areas.
![Reblog this post [with Zemanta]](http://img.zemanta.com/reblog_e.png?x-id=0ec0a8fe-414e-4b9e-909b-b3d9d94feb23)
