heute:pop:blog.  

Holidays. And not just sitting by the beach for a week but really getting away from life’s routine, seeing other places and getting to know new people. That’s what I’m doing right now.

I haven’t had an iPhone/Blackberry for four months and of course haven’t been working. But I also haven’t produced a radio show (in fact have hardly listened to any new music), haven’t been involved with the new OpenMusicMedia events and haven’t even been blogging.

I spent the last four months in South America with Raila and feel truely relaxed – in fact I’m surprised how easy it was to disconnect from my life in London. We are moving to Canada soon so I have been ‘homeless’ since we left and all my belongings boil down to a 15kg Deuter backpack. I have two pairs of trousers and two jumpers.

Nevertheless (or perhaps because of all this) I look forward to getting back into something you can call a ‘normal routine’. And for me this routine will start with something fun:

I’m moderating a panel at SXSW in Austin this year, the topic of our discussion is ‘how will we listen to music in 2020‘. I will be joined on stage on the 17th March by Alexander Ljung (SoundCloud), Ben Perreau (Gigulate) and Steve Savoca (Domino). With such speakers this should be an intersting talk, if there is anything specifically you want to see discussed, feel free to post a comment here.

If you are at SXSW as well please let me know, would be good to meet you there: jonas(at)jonaswoost(dot)com.

PS: if you’re more intersted in my time off rather than SXSW you can find some pictures here and you can follow me on twitter here.

This is a copy of a post from our OpenMusicMedia blog, would be great to see you there on the 17th September!

After months of trying to get this nailed down we are very pleased to announce that Joi Ito will be in London and joining us to lead the conversation at the next OpenMusicMedia! Joi is the CEO of Creative Commons so make sure you clear your diaries for 17th September for what looks set to be a great session.

Most of you will probably have heard of Creative Commons already, but we think that it’s a topic that is not discussed enough by a music industry that has traditionally built its business around a different view of copyright. There’s lots to discuss and we’ll only have one evening, but here are just a few of issues that we’d like to talk about:

• What role does Creative Commons have to play within the music industry?
• Does CC mean we are just giving away our music for free and no one makes any money?
• The existing licensing structure for the music industry has been working for so many years, is CC just making it more complex?

As always we want you to get involved as much as possible in the conversation – before, during & after. We’ll be meeting at around 6pm and the talk will start at 7pm, usually lasting around an hour. We strongly recommend that you stick around after as often the best part of the conversation happens over a beer or two.

The event is free and open to everyone but please RSVP on Facebook to help us working out how many people will attend. Please note that we expect this to be a busy night so we recommend arriving early in order to find a seat. If you’re late we can’t guarantee entry. Leave a comment below or contact us on Twitter if you have any questions.

Thursday, 17th September 2009
6:00 PM

William IV

7 Shepherdess Walk
London, EnglandN1 7QE
(Yahoo! Maps, Google Maps)

When I realized that I won’t be able to attend this years Transmission conference because of other commitments (it will become more clear next week) I was disappointed. I had such a great time last year and I felt I’m missing out.

Fortunately I was able to participate at least in one way: I took part in their Politalk48 session which is basically a panel of experts who discuss a topic via email over a period of 48 hours. The results are then published on the TransmitNow website for anyone to read. The topic was “Next Generation Leadership” and the outcome can be found here.

If you have seen me recently on a panel or doing a presentation you would have noticed that there is one topic that I’m very interested in: how the consumption of recorded music has changed over the years and how it will continue to develop.

Looking into the past is vital but also fairly easy. The future is the tricky one and for some the most fascinating: I want to find out how we will consume recorded music in 10 years from now but to find some good answers I might need some help.

This is how I came up with my idea for a panel at SXSW next year in Austin. As you might know, they encourage people to come up with ideas for a panel or presentation and post them on their website for anyone to vote on.

Of course you guessed it by now: please vote for my panel suggestion at the SXSW 2010 Panelpicker. You can see from my description on there what I’m trying to do. Also, please suggest people that should be on that panel by posting a comment here or on the Panelpicker. Maybe I won’t be the only one that’s trying to promote themselves.

Arttu was so kind to upload my short interview for the Finnish 6pm news to YouTube so I can embed it here as well:

Helsinki reminded me of Hamburg. Maybe is was the lake in the centre or the lack of an Old Town (which was like in Hamburg destroyed in WW2). But most significantly I had a brilliant time in Helsinki, just like whenever I visit my home town.

I was there for an event organized by the YLE (”the Finnish BBC”) called “Embracing the music – music, Internet and public service” last Friday and it was well organized, informative and a lot of fun. Often these kinds of events are exactly the opposite.

As well as taking part in a big panel discussion I did a presentation (hopefully) giving an overview of the development of digital recorded music over the recent years and where it might be heading in the future. It had the catchy title “Development of digital recorded music and the way we consume it – the past, present and future”. I even had slides (which I never do).

My talk was built on the following assumption:

Music is like a rumour:

• It will spread around and one cannot control it
• It has a creator but no owner
• It has a ‘value’ but it can’t be set by the creator

“Control” is the key term here – we lost it when we started digitizing our recorded music and started to conntect our computers to a network. Control over recorded music is something we will never get back and any effort on this is wasted energy.

I always want to blog while I’m going to conferences but more realistically I will give my report on Midem next week when I’m back in London. Things just get too hectic for me to be able to sit down for a moment and write a few words. I am told there are less people going this year but my schedule is now full. I know already I’m going to regret having booked too many meeting.

I will leave you with with a video from one of my favourite bands of the moment, Frightened Rabbit (found this via nomnomnom). Awesome stuff.

Frightened Rabbit “I Feel Better” from Sam Molleur on Vimeo.

As you might know I attend a lot of conferences. After years of doing this the excitement wears off and it often becomes just part of the job. Fortunately, I really enjoy travelling so even when the conference does not turn out to be a success you’re still in a different environment which is something you will always gain something from. If you’re not then you’re not travelling the right way.

For this one I am excited though: I just confirmed my ticket for the Transmission conference which takes place in Vancouver this year in the first week of December. This has been highly recommended to me by Sean Adams who was saying this is one of the best industry conference he’s ever been to. And he is going to a lot of those.

The Transmission guys are approaching this gathering of people from the music and technology sectors differently and I think I’m going to enjoy this as

• it’s limited to 200 people (I feel a intimate setup makes it easier to connect to people)
• there seems to be a tight schedule of interesting talks and round tables (being German a good organization is something I always appreciate
• it sounds like we will have people talking from outside our industries (I get bored by hearing the same people talking about the same topics so this could be very refreshing)
• I expect the topics to be very high level and therefore educating (again, you often hear the same things at panel around the world, I want to hear people explaining, educating and inspiring me)

As you can see I built up high expectations, I hope they will be met. And if not there is always Vancouver, not the worst place in the world to spend a few days in anyway.

Is anyone else going? Or have you been?

I had a few days now to recover from Popkomm (and more importantly the weekend that followed the conference). I’ve been asked a lot “so how was Popkomm?” and probably never gave the same answer twice. In summary this is probably what I was trying to say:

It was yet again less busy than the years before. If you’ve followed my tweets you would have seen that I kept complaining about it. After thinking about it a bit more the fact that there were less people attending probably wasn’t a bad thing: it is totally fine that those events become smaller and in a way they might even improve if they are more intimate. Nevertheless it was very unusual to be at the British stand (which was put on by AIM only this year and not the BPI any more) on Thursday afternoon at 4.30pm and seeing only 40 people standing there. At that time you would normally have about 300 people there drinking their (hopefully) well deserved beer.

As I posted here before many of my UK and US contacts didn’t even make it to Popkomm this year. One common explanation for that was: Midem is happening in three months so one might as well go there only and meet everyone. When you have to travel over from the States this makes a lot of sense.

It was only when I went to the Soundcloud launch party at Picknick last Friday night that someone pointed out to me that there were hardly any labels at Popkomm. I realized that I only had a few conversations about music at the conference – it was mainly about the business around it. Again, this is not a bad thing but it makes me feel less party of a creative industry. When I unpacked my bag on Sunday I had two CDs in my hand – when I first went to Popkomm in 2003 (this was still in Cologne) I came back with bags full of CDs and records. Were those the better days? I’m not into nostalgia so I’m going to say no: those times were just different.

There are some great gigs happening at the time of Popkomm but when you look at the events that are happening at the Kulturbrauerei you start thinking that some of those seem a bit ‘forced’. In regards to the line up of many of those gigs you can imagine that the promoters are sitting there thinking they have to fill all those venues because it is Popkomm time and therefore some gigs are a bit random. In addition to the official Popkomm events there are of course other great parties happening all over the city but I suppose that’s Berlin…

So how was Popkomm? I enjoyed it. The conference will have to find their place in the market as they are competing with other events more than ever but if they are clever they will be able to stay relevant in the future. They maybe weren’t this year.

So, I got back this morning from my trip to Austin, caught some sleep and am working on my next heute:pop:morgen radio show which will cover the event. Well, I’m going to play tracks of the artists I saw there and basically make everyone jealous and tell them what a great time I had.

It was a hot one (30C+) and it was my birthday last Wednesday. Doesn’t happen very often that I have a margarita at 1.30pm in the sunshine on my birthday. I meant to blog from there as well but there was just no time to sit down for 30 min and do this…

One highlight for me was surly Boys Noize which was absolutely insane and they ended up throwing him in the crowd and everyone was loving it. Maybe an odd one as he was one of the very few DJs is saw at the official SXSW showcases. Amazing nevertheless.

Another band I was hugely enjoying was This Will Destroy You, a band from Texas who I had never heard before. This was one of those SXSW moment where a friend tells you that you should come and check out this band (thanks for the recommendation Anthony) and then you are totally blown away. They seem to be playing in London soon as well.

Other highlights include Sia (she is a bit middle of the road but I just always liked her), Lightspeed Champion (live much better than the album), Frightened Rabbit (the Scotts know what they are doing), Bon Iver (shame about the sound problems but I loved it), Kimya Dawson (was watching that in between tons of 15 to 17 year olds who knew all the lyrics) Emmy The Great (Cute!) and N.E.R.D. (normally not my thing but what a great show). Songs of all those will be featured on my next heute:pop:morgen show.

On the more industry side there was one thing I notice straight away: there was no complaining. When you go to conferences like Midem of Popkomm you hear a lot of companies complaining about the way their business is going but in Austin you have nothing of that. I see a few reasons for that:
1. The companies I have been meeting which are typically the bigger independent labels are actually doing quite well at the moment. From what I hear they are now getting some good income from a bunch of digital services and they can also sustain some good CD sales
2. When you go to SXSW you can see that the Music Industry has still got one very flourishing arm: the live part. There are 1800 bands playing in (often) packed venues over the course of a week, it’s difficult to then start complaining about how no one wants to spend any money on music. Admittedly many of the people at those gigs are working in the industry but when you walk down 6th Street in Austin on Friday night you only see very few badges
3. Well, it’s SXSW: fantastic music, great weather, plenty of margaritas, excellent Mexican food. Not really good moaning conditions.

I think think this is all I can squeeze out of my jetlagged brain right now, I’m sure there will be more to come about SXSW. Oh and I took a few pictures as well. Actually just a very few, didn’t want to take my camera around all day and night: www.flickr.com/photos/pete_bug/sets/72157604137769936/