Assuming there will be no more ash cloud problems I will be over in Newcastle next week to speak at ‘The Know How‘ event. The panel is called Transmission and focuses on the changes in regional broadcasting and music consumption in general.
The event is organized by Generator and Evolution 2010 and I will be joined on stage by Ben Perreau (Global Radio/Gigulate) and Paul Campell (Amazing Radio) on the 24th May.
When I was on the phone today with our moderator Russ Conway I was reminded again of the gap in our terminology: we keep using the word ‘radio’ when we speak of services such as Last.fm and Pandora. The truth is that they have very little to do with the original ‘one-to-many’ broadcasting service called radio but we don’t seem to have a better term. ‘Personalized Streaming Music Service’ just doen’t sound very neat.
And something became clear today: I’ll probably have to get used to the fact that people will call me a ‘former Last.fm-er’. I noticed that’s the case with many of the guys that left Last.fm and I now often catch myself introducing myself as the former Head of Music. It just makes it easier for other people to understand what I’m all about even though we are more than the name of our old employer.
I made it to Vancouver. After six months of travelling in South and North America I am now a permanent resident of Canada and am settling in nicely. It’s is not a coincidence that we are arriving in the spring time: we wanted to make sure that we can see Vancouver from its prettiest side in our first few months in town. And pretty it is indeed.
Being ‘home’ also means it’s back to work for me so after a six month hiatus this blog will become active again. Lots of exciting things happening already and my notebook is full of notes, ideas, thoughts and to-dos. I loved my time off and feel very refreshed but I have to admit that I do look forward to getting back into ‘it’ again.
Saying that, my first day ‘in the office’ was actually last month I moderated my panel at SXSW which I thoroughly enjoyed. I came across this little video of our panel on YouTube so if you haven’t been there you will be able to see what we looked like. Unfortunately this is only 45 seconds long so that’s all you’ll be able to see.
My suggestion for SXSW 2011: make sure the first name is on the name signs as well, a few people came up to me after our talk calling me Mr Woost (which made me feel odd).
Holidays. And not just sitting by the beach for a week but really getting away from life’s routine, seeing other places and getting to know new people. That’s what I’m doing right now.
I haven’t had an iPhone/Blackberry for four months and of course haven’t been working. But I also haven’t produced a radio show (in fact have hardly listened to any new music), haven’t been involved with the new OpenMusicMedia events and haven’t even been blogging.
I spent the last four months in South America with Raila and feel truely relaxed – in fact I’m surprised how easy it was to disconnect from my life in London. We are moving to Canada soon so I have been ‘homeless’ since we left and all my belongings boil down to a 15kg Deuter backpack. I have two pairs of trousers and two jumpers.
Nevertheless (or perhaps because of all this) I look forward to getting back into something you can call a ‘normal routine’. And for me this routine will start with something fun:
I’m moderating a panel at SXSW in Austin this year, the topic of our discussion is ‘how will we listen to music in 2020‘. I will be joined on stage on the 17th March by Alexander Ljung (SoundCloud), Ben Perreau (Gigulate) and Steve Savoca (Domino). With such speakers this should be an intersting talk, if there is anything specifically you want to see discussed, feel free to post a comment here.
If you are at SXSW as well please let me know, would be good to meet you there: jonas(at)jonaswoost(dot)com.
PS: if you’re more intersted in my time off rather than SXSW you can find some pictures here and you can follow me on twitter here.
This is a copy of a post from our OpenMusicMedia blog, would be great to see you there on the 17th September!
After months of trying to get this nailed down we are very pleased to announce that Joi Ito will be in London and joining us to lead the conversation at the next OpenMusicMedia! Joi is the CEO of Creative Commons so make sure you clear your diaries for 17th September for what looks set to be a great session.
Most of you will probably have heard of Creative Commons already, but we think that it’s a topic that is not discussed enough by a music industry that has traditionally built its business around a different view of copyright. There’s lots to discuss and we’ll only have one evening, but here are just a few of issues that we’d like to talk about:
What role does Creative Commons have to play within the music industry?
Does CC mean we are just giving away our music for free and no one makes any money?
The existing licensing structure for the music industry has been working for so many years, is CC just making it more complex?
As always we want you to get involved as much as possible in the conversation – before, during & after. We’ll be meeting at around 6pm and the talk will start at 7pm, usually lasting around an hour. We strongly recommend that you stick around after as often the best part of the conversation happens over a beer or two.
The event is free and open to everyone but please RSVP on Facebook to help us working out how many people will attend. Please note that we expect this to be a busy night so we recommend arriving early in order to find a seat. If you’re late we can’t guarantee entry. Leave a comment below or contact us on Twitter if you have any questions.
When I realized that I won’t be able to attend this years Transmission conference because of other commitments (it will become more clear next week) I was disappointed. I had such a great time last year and I felt I’m missing out.
Fortunately I was able to participate at least in one way: I took part in their Politalk48 session which is basically a panel of experts who discuss a topic via email over a period of 48 hours. The results are then published on the TransmitNow website for anyone to read. The topic was “Next Generation Leadership” and the outcome can be found here.
If you have seen me recently on a panel or doing a presentation you would have noticed that there is one topic that I’m very interested in: how the consumption of recorded music has changed over the years and how it will continue to develop.
Looking into the past is vital but also fairly easy. The future is the tricky one and for some the most fascinating: I want to find out how we will consume recorded music in 10 years from now but to find some good answers I might need some help.
This is how I came up with my idea for a panel at SXSW next year in Austin. As you might know, they encourage people to come up with ideas for a panel or presentation and post them on their website for anyone to vote on.
Of course you guessed it by now: please vote for my panel suggestion at the SXSW 2010 Panelpicker. You can see from my description on there what I’m trying to do. Also, please suggest people that should be on that panel by posting a comment here or on the Panelpicker. Maybe I won’t be the only one that’s trying to promote themselves.
Helsinki reminded me of Hamburg. Maybe is was the lake in the centre or the lack of an Old Town (which was like in Hamburg destroyed in WW2). But most significantly I had a brilliant time in Helsinki, just like whenever I visit my home town.
I was there for an event organized by the YLE (“the Finnish BBC”) called “Embracing the music – music, Internet and public service” last Friday and it was well organized, informative and a lot of fun. Often these kinds of events are exactly the opposite.
As well as taking part in a big panel discussion I did a presentation (hopefully) giving an overview of the development of digital recorded music over the recent years and where it might be heading in the future. It had the catchy title “Development of digital recorded music and the way we consume it – the past, present and future”. I even had slides (which I never do).
My talk was built on the following assumption:
Music is like a rumour:
It will spread around and one cannot control it
It has a creator but no owner
It has a ‘value’ but it can’t be set by the creator
“Control” is the key term here – we lost it when we started digitizing our recorded music and started to conntect our computers to a network. Control over recorded music is something we will never get back and any effort on this is wasted energy.
I always want to blog while I’m going to conferences but more realistically I will give my report on Midem next week when I’m back in London. Things just get too hectic for me to be able to sit down for a moment and write a few words. I am told there are less people going this year but my schedule is now full. I know already I’m going to regret having booked too many meeting.
I will leave you with with a video from one of my favourite bands of the moment, Frightened Rabbit (found this via nomnomnom). Awesome stuff.
As you might know I attend a lot of conferences. After years of doing this the excitement wears off and it often becomes just part of the job. Fortunately, I really enjoy travelling so even when the conference does not turn out to be a success you’re still in a different environment which is something you will always gain something from. If you’re not then you’re not travelling the right way.
For this one I am excited though: I just confirmed my ticket for the Transmission conference which takes place in Vancouver this year in the first week of December. This has been highly recommended to me by Sean Adams who was saying this is one of the best industry conference he’s ever been to. And he is going to a lot of those.
The Transmission guys are approaching this gathering of people from the music and technology sectors differently and I think I’m going to enjoy this as
it’s limited to 200 people (I feel a intimate setup makes it easier to connect to people)
there seems to be a tight schedule of interesting talks and round tables (being German a good organization is something I always appreciate
it sounds like we will have people talking from outside our industries (I get bored by hearing the same people talking about the same topics so this could be very refreshing)
I expect the topics to be very high level and therefore educating (again, you often hear the same things at panel around the world, I want to hear people explaining, educating and inspiring me)
As you can see I built up high expectations, I hope they will be met. And if not there is always Vancouver, not the worst place in the world to spend a few days in anyway.